Anno and Higuchi give us arguably the most human-focused Godzilla film since 1954, as the titular monster takes a backseat to a political satire about the ineptitude of bureaucratic red tape. What feels instantly different is how plain incompetent the humans' response to Godzilla is. ![]() The monster emerges from the ocean, starts terrorizing Tokyo, and both scientists and the military are left dumbfounded as to how to handle this situation. Right off the bat, Neon Genesis Evangelion creator Hideaki Anno and his co-director and VFX guru Shinji Higuchi play on audiences’ familiarity with Godzilla by recreating the basic plot of the original film.
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